teachsolais

Vortex 4 & 8

Premium high-powered 1×1 and 2×1 LED fixtures designed for heavy use in all conditions. IP65 Water resistant with a built-in power supply and all the advanced connectivity for professional use. Optimised for a range of applications with RRGBBW, a wide CCT range and high-speed modes for shooting up to 5000fps. Sync Input for Triggering and Syncing to Camera Shutter.325W (Vortex 4) to 650W (Vortex 8) of LED power providing the equivalent output to a HMI 575W (Vortex 4) to 1.2Kw Fresnel (Vortex 8). A native 20° beam angle for extreme punch and intensity. This can be diffused with the Creamsource Dome. With the high-power output an active cooling system is in place with nearly silent fans and effective heat dissipation through the machined chassis.

Arri SkyPanel

With the ARRI SkyPanel, precise color temperature and light settings are easy to achieve. Correlated color temperature ranges from 2,800 K to 10,000 K with excellent color rendition over the entire range. You can also adjust hue and saturation, gel selection, RGBW, source matching and x,y coordinates for perfect soft lighting. Plus, it features 16 professional lighting effects for added convenience. The SkyPanel LED panel lights offer unparalleled performance and quality for your production needs.

Aladdin A-LITE Kit

The Aladdin A-LITE is a high-end variable bi-colour on-board LED light with an integrated battery. The light quality is outstanding with CRI and TLCI ratings of over 95 for both tungsten and daylight. The integrated lithium-ion battery has a runtime of 80 minutes at full power and can be charged quickly via a Micro USB.

The light comes with a standard 1⁄4-20” thread to mount to any on-board adapter. A removable hinged, plastic diffuser is included to soften the light even further. With a colour temperature range from tungsten (3000˚K) to daylight (6000˚K) and every point in between and is completely dimmable from 5–100%.

There are three different versions: Daylight, Tungsten or Bi-Colour. Bi-Colour is the newest to the family and has two integrated dimmers that adjusts colour temperature between Tungsten (3000˚K) and Daylight (6000˚K) and one that controls light output – from 5-100%.

Astera Helios Tube

Helios Tube has all the features of the popular Titan Tube while offering a smaller format. It allows mounting in areas where a Titan Tube wouldn’t fit, and also increases portability. This LED lighting Tube has 8 pixels, half the brightness of the Titan tube and just over half its length. Colors and brightness are perfectly matched to those of the Titan Tube’s.

Astera Titan Tubes

Titan Tube is the ultimate LED tube for filmmakers, studios, event technicians and any creative person. It emits powerful, tunable whites with ultra-high color rendering as well as colored light which can be applied to individual pixels or the whole tube. The tube offers unlimited range of usage; indoor or outdoor, AC-powered or on battery, on the go with the AsteraApp, with wired or wireless DMX.

Astera Hyperion Tube

After the enormous success of the Titan Tube, Astera has created the double length Hyperion Tube, which measures just over 2 meters and around 80 inches. Double the LEDs, double the batteries, double the brightness, double the pixels and the same high-quality light with App, CRMX and on-tube control and wired DMX option

Aladdin FABRIC-LITE

Mounting options for the FABRIC-LITE are virtually limitless, including all types of butterfly, overhead, wall and ceiling mounts, thanks to the integrated Velcro and grommets. The 3'x3' pan can be easily mounted on a Matthews frame or similar. Each 3'x3' fabric panel can be used separately or combined with others to create panels as large as 12'x12'. The fixture offers high control over lighting. It is dimmable from1-100% and the colour temperature can be adjusted from 2900°K to 6300°K. The Dimmer runs from main power supply or battery and has a built-in lumen radio module for DMX control.

Aladdin BI-FLEX1

The BI-FLEX1 is the cinematographer’s choice for a small, lightweight and powerful lighting tool for many applications like: portable interview light or to hide in narrow spaces like elevators, cars or even inside objects for product photography

Sourcemaker Led Blanket Light

Sourcemaker’s LED Blankets are an all-in-one lighting solution that sets up easily and adjusts fast. Our blankets are among the most versatile lighting options in the industry. Each blanket uses colour correct LED ribbon to achieve a wide range of clean colour temperatures, ranging from 2675K-6010K.

Sourcemaker LED Blankets are ideal for difficult, hard to light areas. All blankets are modular and can be attached to each other and DMXed to create larger sources.

Sourcemaker LED blankets come in various sizes and are designed to fit inside standard grip equipment. Accessories are available, including diffusion, skirts, mounting brackets and snapgrids.

Astra 6 Bi Colour

The Astra 6X Bi-Colour panel builds on the popularity of the Astra 1x1 Family, the next generation of LED panels from the lighting professionals who revolutionized the lighting industry. Following the Litepanels tradition of a one square foot form factor, the Astra series is designed with select premium quality, high CRI, surface mount LEDs and paired with custom optics that provides the Astra 6X series with high colour quality that's perfect for lighting talent. It is now 50% brighter than the first-generation Astra and 6 times brighter than the original 1x1. This higher intensity results in a longer throw and illuminates a wider area, allowing the panel to compete with strong exterior light sources or illuminate a large area effectively with just a single fixture.

Arri M Range M8, M18, M40 & M90

The M18 is an 1800W ARRIMAX style lamp head, combining the Academy Scientific and Engineering award-winning lens-less optical technology of the ARRIMAX with the innovative TrueBlue design. The result is an exciting new class of HMI, as small as a 1200W PAR but with a 70 percent higher light output. The "BABYMAX" gives a remarkably even beam spread that casts crisp shadows and is adjustable from 20° to 60° without requiring spreader lenses

Arri Max 12k / 18k

ARRIMAX 18/12 The original Academy Award-winning ARRIMAX remains the ultimate choice for productions requiring maximum light output. The 580 mm (22.83”) diameter, parabolic facetted reflector provides continuous focus adjustment from 15° to 50° beam angle and, since the ARRIMAX does not require a set of spread lenses, shadows are sharp and easily cut.

18,000W Single Ended lamps use a sturdier GX51 lamp base for which ARRI engineers have designed a special lampholder. This new lampholder alleviates mechanical stress from the lamp pins, which now serve only as an electrical connection. The lamp clamping mechanism is self-aligning and uses a rugged, recessed lamp lock handle. To ensure that crews can easily use 12,000 W lamps or versions of 18 K Single Ended lamps with G38 bases, the new lampholder accepts either lamp type with no modification or adjustment required.

Arri 18k Daylight

ARRI Fresnel (Daylight) Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency are needed, ARRI Daylight Fresnel's are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, this rugged HMI Fresnel is ideal for all types of location lighting.

Arri True Blue Daylight Series

Replacing The Arri Compact Range Teach Solais is delighted to showcase it’s Arri True Blue Daylight Series – all offering the same innovative features and award-winning design. Pressure die cast and extruded aluminium components have reduced the overall weight of the True Blue fixtures without any sacrifice in quality or durability. Many components now offer greater strength and resistance to corrosion. A lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency, ARRI True Blue D-Series Fresnel's are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, the rugged True Blue D-Series is ideal for all types of location lighting. Available in 1.2Kw to 4KW HMI/MSR Bulb.

Arri Orbitir

The ARRI Orbiter is a versatile, tuneable, and directional LED ﬁxture including a six-colour light engine. With its changeable optics, Orbiter can transform into many different types of lamphead, including Open Face, Fresnel, Projection, Soft Light, and many more.

Joker 200W

The output of the Joker can be compared to a 750/1000 Watt quartz fixture, but with a power draw less than 3 Amps. It has become a standard for small interiors, interviews, documentaries and car shots.

Joker 400W

The Joker² 400W is 25% brighter than it's original Joker counterpart. Drawing less than 4 amps on 120V, the new Joker² 400 is one of the smallest, most efficient light sources on the market today

Joker 800W

The 800W is the most popular unit of the Joker² range and was the first 800W HMI on the market. It's output is comparable to over 4000W of a Quartz fixture’s output and produces one full stop more than our Joker² 400.

Astera NYX Bulb Kit

The first colour-tuneable LED bulb for professional film, stage and event productions. Not bigger than a normal LED bulb, it contains a CRMX receiver as well as RF and Bluetooth modules for the Astera App. It can be powered via lamp socket or with a standard power bank and thanks to its Titan LED engine it displays precise colours and white tones with ultra-high CRI and TLCI.

Jem Ball

The 'Jem Ball' replaces the conventional paper lantern. The 'Jem Ball' radiates a soft surround (360 degrees) lighting effect with fewer shadows than conventional lights. The 'Jem Ball's' sturdy construction makes it both durable and reliable.

19" (480mm) 500W.

22" (560mm) 1kW.

30" (760mm) 2kW.

19" (480mm) LED RGBW.

Film & TV Lighting